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MARILYN. Living and dying for love

Alfonso Signorini With this book turns the life of Marilyn Monroe in a novel. Starting from birth up to the death, the author goes through all the stages of the life of the American actress most famous and beloved of all time: the troubled childhood marked by a psychopathic mother and a grandmother, the orphanage, violence sexual, the fast rise to success, the three marriages, the escapades with fellow actors, abortion, the love affair with John Kennedy, depression, suicide. Signorini focuses on the emotional life of Marilyn, by analyzing its way of life love, the love denied since early age, love implored, deluded, failed. Marilyn seeking fame exclusively in order to feel loved by the people of the world.

The idea of \u200b\u200ba fictional biography is always interesting, but the result depends on how into practice. If the defects of this book are many, perhaps too many. The style is simple-minded, the language borders on the ridiculous, the dialogues are banal and shocking more often vulgar (that is never once used the phrase "make love" instead of "fuck" ...), some share the rules of punctuation should be to hell. The reader may feel "disoriented" because of the absence of a chronology of events described and may tend to forget that we are talking about an actress, because very little space is devoted to the career of Marilyn, his films, his environment. In addition, some significant events in the life of Monroe are just touched upon others even ignored. The psychological drama and fragility that the diva hiding behind the smile are addressed here without a hint of delicacy and poetry. The image of Marilyn that comes out is that of a woman frivolous, superficial, opportunistic, sleazy, dirty even. It materializes as the image of the blonde doll and without brain a role that Marilyn was often forced to pray on the set, but against which he then had to fight to ensure that it becomes the label. A distorted and annoying especially for someone like myself, loves Marilyn and is well documented on her.

Another flaw of this book is the lack of a bibliography. In my opinion, when you draw up the biography of a famous person should cite the sources from which they draw information to prove that what is written is not the whole truth and documented by the writer's imagination. It is a matter of intellectual honesty, of self-respect, toward the person we are talking about and to the reader, is a way of giving more confidence to it. Even the images that accompany the text does not have anything exceptional od'inedito: These are photos of Marilyn known to almost everyone, including the first ones that jump out doing a quick search on Google Images.

In short, all too arranged, all too rushed. A little 'I'm sorry for Alfonso Signorini because I am convinced that behind the mask hides the view airhead an intelligent person and a journalist in the leg. He could prove it through Books like this one. A missed opportunity. The feeling that you have read this book is to have in your hands one of those gossip magazines that Signorini is the director for years. A reading from the beach.

RATING: 2 / 5

Alfonso Signorini (pictured right) was born in Milan April 7, 1964. He graduated in Medieval Philology, leave the teaching profession to take that as a journalist. He began working with the newspaper La Provincia di Como , short of record, then move on to Panorama where he became an expert in gossip. From Panorama passes Who where we worked together, acting as co-director, Silvana Giacobini first and then Umberto Brindani. In 2006 he became director. In 2008 also assumed the leadership of the weekly TV Smiles and Songs . Since 2002 he is a regular guest on numerous television programs of entertainment. Since 2006, leads the program on Radio Monte Carlo with Luis Alfonso Signorini Show Berrino. In December 2010 he made his debut as a conductor with the program on Channel 5 kalispera! aired in the late evening. He is the author of novels based on the lives of famous women such as Maria Callas, Coco Chanel and Marilyn Monroe.

Title: Marilyn. Living and dying for love
Author: Alfonso Signorini
Publisher: Mondadori (necklace Enlarge)
Year: 2010

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Ho'oponopono (reflections)

You can not teach Ho'oponopono. If you are teaching Ho'oponopono is very likely to be one of your memories to have this desire to teach someone, to spread, to save. Hew Len has repeatedly told not to teach Ho'oponopono Ho'oponopono and do not talk about, but rather than simply cleaning up inside her (Zero Limits Seminar). I wonder much at times to hear about Ho'oponopono as a miraculous technique that boosts the law of attraction or as a balm for all ills, leading to positive infinite, miraculous healing, karmic resolution and abundance. However this is not what Dr. Len has taught and explained in his seminars. Ho'oponopono is not a 'technical' or a 'mantra magic 'and is not tied explicitly to the Huna shamanism (who is an Americanization of an esoteric knowledge of ancient Hawaii, brought to light by Max Freedom Long). When someone asked Dr. Len the relationship between Huna Ho'oponopono and Dr. Len simply said, Huna is one thing on this planet (human), Ho'oponopono no (Zero Limits Seminar). Ho'oponopono is not about law of attraction. Often, after an explanation of the theory of Dr. Len Ho'oponopono adds: "What about the law of attraction then?" What is in fact the law of attraction, focused intention, desires, when we know that many of the things we want to attract might be a daughter of our main we are erasing the memory with Ho'oponopono? Ho'oponopono is only 'LET GO LET GOD'. It is' let go and let God to fix your things "(ZERO LIMITS OF SOWING AND MABEL KATZ BOOKS). It is the law of attraction, which is one more thing and then direct the ego can cause disappointment and unwanted temporary creations. Ho'oponopono is to be where you are with what's there and send love, infinite love, that things will change, not according to our design but according to his father (Aumakua), the higher self or in any other way you want to call it. Another thing that Hew Len has repeatedly and that is often overlooked is this: do not expect results. Miracles bandied about on the cover of Zero Limits by Joe Vitale has been an idea, and this is a fact (every book \\ seminar is actually a bit 'on the lines), but Ho'oponopono was not born to be certain is not based on getting results of some kind. You could clean up for years trying to solve something, perhaps having in mind your beautiful creative visualization, thinking about the causes of your problem, while all around you the real change is happening and the real causes are resolved by the cleanliness levels so deep (Hew Len often talks about other dimensions of space Beings, and extent of souls ... They're not exactly things of this plane of reality) that can not be aware of and may not be able to realize what really needed to change, because you expect a result of a certain type. But we are not doing for the results either for healing or rearrange our finances (although they may be at the end some of the effects of cleaning). We're doing this to remove layers (memories) that cover what we really are. If you were to do something other than cleaning, you will receive the right intuition and you'll know exactly what to do. For the rest you just have to clean clean clean, tirelessly. And only after you have cleaned thoroughly enough, especially after you let go of any opinion on the matter and on the actors, the solution right shall be revealed - even though it could be very much different from what you expected. Ho'oponopono has generated a lot of confusion in some students who believed they had in hand the golden key to the solution of any problem, because many of them suddenly have felt worse every thing under the eyes, or have seen some disaster happen and unexpected these people were then asked, 'But I was not doing Ho'oponopono? He did not have everything go well? ' Yes, you were doing Ho'oponopono. Yes, you're cleaning up the old memories, but memories of cleaning is not always easy, delicate and fragrant. It is not the stuff of a law of attraction positive thinking or new age where everything is fixed only on the feel good and have good feelings. We are talking about shamanism. We are talking about multi-dimensional reality of which we are aware of the subtle ways enabled with only 5%. Hew Len and Vitale often cite a book by American seminaries Norretranders Tor - The User Illusion - whose central concept is that we are not even the architects of our thoughts, but it is as if this happens to us, through us. And then the only role that has Uhan (the rational mind) is the decision - which is the only thing we can do really. You can decide whether to listen to the thoughts and the ego that tells us to teach Ho'oponopono, the other to promise miracles, trying to save someone else apart ourselves, or we may decide to do the cleaning. In the first case will act the garbage data, the memories that give us a false sense of identity that aims at turning Ho'oponopono for us to really find out who we are.
And we can not speak out.

(Blue Ice)

Namaste.

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dissipated life: some lessons of a course in miracles

A Course in Miracles says

"Miracles arise from a mind that is ready for them"

... therefore is of little use to try to create something if it transfers your mind a thousand and one 'things' that you believe to be outside and live. We should devote more time to clean themselves than to try to create something in mind. Many of us are continuing to spend much of their time and their life energy to complain to the government and bad world out there, some of them even heard them say that they do not believe in humans, which they believe is fundamentally 'bad' out there because there is so much wickedness and foolishness. A Course in mircacoli explains that miracles can arise only from a mind that is ready for them, a mind that, among other things, has gone beyond the duality of right and wrong, and such a mind is the result of a work of cleaning and remediation that goes well beyond what these people are usually willing to do. For this reason they do not create their reality even with so many exercises, participating in all courses and by reading all the books. To do this it must, among other things, be willing to see the perfection in every event, even where there is no apprentice, and be willing to accept the primary principle which is that I create every bit of my reality, thus all these horrible things that I think I see. I have to be willing to do so, as the course, to supervision on every thought and every emotion. But this is not easy and I realize, because it requires a certain amount of energy. The vital energy, or prana, as well as to make healing is necessary for consciousness and its mental processes, thus accumulate and maintain power is also necessary to create thought forms and work on themselves, but this is never said. The world in which we are experiencing at the moment is designed with one million of stimuli architected to steal energy-prana, and then remove any strength and motivation to work on yourself and the production of any spontaneous thought. To break free you need to do this work, which is constantly vigilant about their own thoughts and emotions and you try to go beyond the duality. And 'that is necessary to be able to go beyond this world going through the detachment from all that the world shares as' reality' and 'necessity'. Right now many billions of lives are stuck in a cycle of dissipation of energy-prana, a shared lucid dream, almost impossible to break in, that is a thousand billion and having to do with emotions, accompanied by random thoughts that float in the ether vague, uncontrolled and chaotic. What makes dissipative (in terms of energy) is essentially a life of its apparent lack of direction as well as a series of automated data and assumed liabilities inherited from the environment. Angry, offended, project their own misfortune by blaming others, dispersed in constant stimuli (music, travel, sex, food, addictions, Television, TV news / newspapers) to distract and suppress emotions and disturbing thoughts, closing in on groups that give security not support the loneliness and silence are just some of the agents that we escape daily and constantly prana-energy due to the fact that we can not, we can not or do not want to control our minds. The mind is what makes the game according to the course of the ego, and it is this mind full of confusion that prevents us from seeing our projection beyond the physical eyes. Now these conversations are heard and resentful, corny, but I still find that they are the only things really needed to evolve and, rather than strange symbols, alpha and theta states, psicosciamanesimi, mantra and meditation, I realized that the real problem of not able to change their reality is not only the vigilant about their processes of thought and emotion and continually dissipate its energy-prana in search of 'feelings', 'emotions', 'variety', 'fun', 'escape'. Miracles arise from a ready mind, a mind ready and do not look no more escape, no distractions, no outside entertainment. It may be in silence because it is serene. Can accept hatred, war, disease and death because it does not judge. And 'where happy with what has and has no craving. And here I always get the criticism of all those to whom I tried to explain the path to get to this state. This state of mind seems boring, sad and some people who I spoke were also very angry, and I can not blame them. Ego is afraid to die. Yet the sense of justice, peace and perfection that comes when you start to enjoy an innocent mind after the death of the ego is priceless even in the face of titanic efforts required by the cleaning process. That state of innocence is precisely the one from which arise all the series of synchronistic events we call miracles, and that explains the course flawlessly from first to last word.


Namaste.

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KNIGHT THE WINTER

A poignant love story set in Stalin's Russia, against the backdrop of World War II. The heroes are Alexander and Tatiana. He is a young Red Army officer, handsome, brave, generous, self-confident; the voice has a strange accent, behind which lurks a mysterious past. She is a Russian girl who lives in Leningrad in the same room with parents, paternal grandparents, Pasha and his twin sister Dasha. It's pretty, funny, smart, courageous and still retains a childlike spirit. Tatiana and Alexander met in June 1941, the day when Hitler's Germany declares war on Russia. Output to stock up on food, Tatiana sits on a bench eating an ice cream bought at the kiosk next to the tram stop. Suddenly he realizes that the other side of the street a soldier is watching: is Alexander. The young man is struck by the lovely girl, wrapped in a white dress with red roses embroidered on, enjoying a gelato in the entire light-heartedness of his seventeen years, while the world collapses around her in the anguish of war. Tatiana's looks like a light in the darkness, a hope in desolation. Among them immediately triggered an irresistible attraction, through an intersection of gazes understand to be meant for each other. Alexander crosses the road and speak to Tatiana. From that moment on their history. Since the beginning of the obstacles that present themselves seem to want to make their love impossible. Will be forced to ignore it for days and months, will face the Nazi siege and the hard Russian winter, will have to overcome fear death and the pain of separation before they can give freely to the passion - so long repressed - and crown their dream of love. A Lazar (an imaginary village, created by fantasy author), away from conflict and suffering, surrounded by unspoilt countryside and away from the cruel world, Tatiana and Alexander will live for a short period of time, moments of intense happiness and deep tenderness . And then back into the nightmare of the war ...
The finish is not a real ending, only a goodbye - painful as it is hopeful - because the story of two lovers continued in the second book Tatiana & Alexander , And ends in the third The summer garden.
A novel seven hundred pages that we read in one breath. A wrenching story that moves the reader from the beginning. The characters are well delineated, the dialogues are never trivial, never predictable, the style is simple and smooth language used to describe the numerous sexual relations between the two protagonists is explicit and erotic, but careful never to fall into the vulgarity of pornography . Paullina Simons is proving a formidable writer, can give you unique emotions, great connoisseur of Russian literature, history, war. Between the lines of this work, which became a bestseller internationally, there is also a subtle denunciation of hypocrisy and cruelty of the Stalinist regime. But Knight winter speaks above all hope: hope that has its epicenter in love and that helps to overcome difficulties, to fight for a better future, to rise from the ashes of suffering, to defeat death.
We are facing an extraordinary novel, a passionate love as dramatic as the war. Epic.

Paullina Simons (pictured right) was born in St. Petersburg in 1963. At ten he emigrated with his family in the USA. After graduating in political science at the University of Kansas, and after working as a financial journalist, wrote his first novel Tully, fulfilling his dream: becoming a writer. Gained worldwide fame with a trilogy of novels Knight winter , Tatiana & Alexander and The summer garden , whose stories are largely inspired by the story of her family in Russia. Apart from other novels, also wrote a cookbook: Tatiana's table. He lives in Northport, near New York, with her husband and her four children. Paullina Handler is her maiden name.
RATING: 5 / 5

Title: Knight winter
Original title: The bronze horseman
Author: Paullina Simons
Translator: Fochi Lucia and Francesca Del Moro
Publisher: BUR Rizzoli (fiction series)
Year: 2010